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I DO ME BY Misa

The Art of Being Real

I DO ME is a 25-year artistic journey by MISA, a continuous act of truth that redefines what it means to be seen.

It is not a slogan, not a brand, but a stance: a refusal to imitate systems, obey algorithms, or edit the human soul for approval.

In a world of digital masks, I DO ME restores what was lost, presence. Each encounter, each image, each silence is a fragment of an unfinished autobiography written through others.

“I don’t photograph people. I meet them.”

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The Method

The process follows a simple, radical principle: truth cannot be directed; it must be met.

 No performance. No styling, posing, or correction.

No filters. Every imperfection is treated as evidence of life.

No domination. The person before the lens is not a subject but a co-author.

No hurry. The session ends only when the truth appears.

Each image is accompanied by words and sound, a written reflection and an ambient recording. Together, they form the field notes of presence.

The Essence

I DO ME means authorship, not ego.

It means standing inside your own frequency without distortion.

It is a long-form declaration of independence, an invitation to live and create from the unedited self.

The project began as a protest against imitation, and has become a philosophy of existence: a method to reclaim art, truth, and identity from the machinery of perfection.

Each portrait is a mirror, not a performance. Each photograph is a trace of a real encounter, the instant when someone dares to stop pretending.

THE PROJECT

The First Chapter | 2025 → 2030

Women Who Build Truth

The inaugural cycle is devoted to women,  creators, mothers, thinkers, leaders, who embody strength without spectacle and beauty without fabrication.

They are photographed as they are: unedited, unguarded, and whole.

This chapter is both a tribute and a rebellion,  a stand against industrial beauty and algorithmic sameness.

It invites women to reclaim visibility on their own terms. Each portrait becomes an act of resistance and tenderness: a declaration that beauty is not perfection, but truth made visible.

More About The Project

I am my own experiment.

Misa works in the Situationist tradition, life as continuous art.

Every portrait, every encounter, every silence becomes a test:
How much reality can we bear before retreating to fiction?

The studio becomes a laboratory of presence, where both artist and subject confront their true selves.

I refuse industrial beauty.

A rebellion against algorithmic sameness.
No filters. No perfection. No lies.
Beauty, for Misa, is not symmetry, it’s truth made visible.
A scar, a silence, a gaze that is beauty-full.

I build legacy through self-possession.

This 25-year chapter, I DO ME, is Misa’s autobiography through others.

Each portrait is not taken, but shared.

Each encounter, a dialogue between realities.

To do me is to build a legacy belonging to no algorithm, no institution, only to time.

I live what I ask of others.

Misa never asks his subjects for vulnerability he hasn’t faced himself.
He lives inside his own method, unfiltered, direct, imperfect.

When he photographs, he offers presence, not direction.
He does not tell people what to do, he meets them.

I take responsibility for my truth.

Every artist must eventually stop imitating systems, aesthetic, social, or ideological  and stand naked in their own intention.

“I DO ME” is not arrogance. It’s accountability.

It means:

  • No hiding behind taste or trend.

  • No seeking validation in market applause.

  • No diluting the message to fit.

    Only honesty, raw, imperfect, whole.

MORE ABOUT MISA


THE METHOD

Situationism in Practice

Misa doesn’t stage. He doesn’t decorate. He doesn’t fix.
He creates situations,  spaces where truth can happen.
Between silence and gaze, something real appears.
His portraits are not representations.
They are acts of truth.

More Details

THE INVITATION

AIDUMI is not a brand. 

It’s a return to presence.

This is not commerce. This is not a campaign.
This is a movement, intimate, slow, and human.
If you are a woman who creates, leads, builds, or dreams 
and you want to be seen as you are, not as you should be: 
You are invited.

More Details

MISA'S DIARY

Thoughts during the process 

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Before You Ask , Read This

We know there’s a lot written on this website,  because what we do is not ordinary.

But we also understand that trust begins with clarity.

The I DO ME project is not a commercial photo shoot.

It’s an artistic encounter between you and MISA, created with respect, honesty, and care.

Every part of the process, from the session itself to the legal agreement, exists to protect your dignity, your image, and the truth we create together.

Next you’ll find the most common questions people ask before or after their session.

They’re here to help you understand how everything works, why certain choices are made, and how your presence becomes part of something lasting, without ever losing your rights or your voice.

If you still have questions after reading, don’t hesitate to reach out.

Every question deserves an honest answer, and we’re here to give it.

CONTACT US


Yes, you will receive a small selection of images for personal, non-commercial use.

You can share them on your social media, personal website, or portfolio, as long as the images are not edited, filtered, or used for advertising.

This keeps the integrity of the project and your representation intact.

No, the final artistic selection is made by MISA.

However, every image used publicly is chosen with deep respect for your dignity, emotion, and presence.

The intent is always to reveal truth, never to expose.

No. The images are used only for artistic, cultural, or editorial purposes, such as exhibitions, books, or catalogues.

They will never be used for advertising, sponsorship, or marketing without your explicit written permission.

All photographs are the artistic property of MISA, represented and protected by the ITECA Foundation.

You remain the subject and always retain your personal rights and dignity.

ITECA ensures that no one, including MISA, can misuse or exploit your image.

XTROVERSO manages the administrative, financial, and compliance side of the project.

They handle your portrait rights agreement, digital signature, and data protection, ensuring everything follows Dutch and EU law.

All materials are securely archived in the European Union under the supervision of the ITECA Foundation.

They are not shared with third parties, and never used for AI training, advertising, or commercial databases.

You may request the removal of your image from MISA’s online platforms (social media or website).

However, the images used in exhibitions, publications, or archives remain protected as part of MISA’s artistic work and cannot be withdrawn.

The session takes place at The Crealoft in Amersfoort.

There are no poses, no instructions, no pressure, only a meeting between two people.

It’s a moment of truth, not performance.

No. The project is artistic, not commercial.

You are not a client, you are a participant in an artistic creation.

There is no payment or fee, only shared authorship in a work of art.

“I DO ME” means taking responsibility for one’s truth.

It’s about presence without performance, the courage to be real.

Every portrait is a declaration: I stop asking the world for permission to be myself.

Partners 

We Could not do our project safe and secure for us and our co-author Lady guests without: